What is the SATOR square
The SATOR Square is a palindrome containing a Latin sentence
that reads the same backward as forward. It consists of five words that can be
arranged in a square so that they read the same horizontally, vertically, and
diagonally. The words are "SATOR," "AREPO," "TENET,"
"OPERA," and "ROTAS."
The origin and meaning of the SATOR Square are not entirely clear. It has been found in various places, including Pompeii and other ancient Roman sites, and it has been suggested that it may have been used as a talisman or amulet for good luck or protection. Some theories suggest that the words in the square may be an anagram, acrostic, or reference to a secret religious or mystical doctrine, but these remain speculative.
The SATOR Square has also been the subject of interest and
study by scholars and researchers of cryptography, linguistics, and ancient
languages, who have analyzed its structure and possible meanings. Despite the
mystery and intrigue surrounding it, the SATOR Square remains an enigmatic and
fascinating artifact of ancient culture.
There have been various interpretations of the SATOR Square
by scholars over the years. Some of the most prominent theories and hypotheses
include:
1. A palindrome with no specific meaning: Some scholars
believe that the SATOR Square is simply a palindrome with no intended meaning
beyond its linguistic structure. In this view, the arrangement of the words in
the square is purely coincidental, and there is no deeper significance to the
words themselves.
2. Christian or religious symbolism: Other scholars have
suggested that the SATOR Square may have had Christian or religious
significance. For example, some have seen the words "SATOR" and
"TENET" as references to Christ, while others have interpreted the
square as a coded message or prayer for protection or salvation.
3. Mystical or magical properties: Still, others have seen
the SATOR Square as having mystical or magical properties. Some have suggested
that the words may have been used as a talisman or amulet for good luck,
healing, or protection, while others have interpreted the square as a key to
unlocking hidden knowledge or spiritual truths.
4. Cryptographic code: Some scholars have approached the
SATOR Square as a cryptographic code, using various methods to try and decode
its possible hidden meanings. These methods have included anagrams, acrostics,
and numerical codes, among others.
Two Appearances of the Magic Square
This square can be found in various places and countries
throughout history, and there are two main forms in which it appears.
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| at Pompei 79 A.D. |
The first form, also known as the "Rotas Square," has the word "ROTAS" as its head, followed with the words "OPERA," "TENET," "AREPO," and its reverse “SATOR” arranged in a square pattern. This form of the square is often associated with early Christian symbols and is thought to have been used as a protective talisman. It is also believed to have been used as a symbolic representation of the elements of earth, air, water, and fire. It has been found in various locations, including Pompeii in 1936 etched on the column of the amphitheater buried in the volcanic ash of August 79 A.D. and in the house of a certain Paquius Proculusis. This is the earliest discovery of the ROTAS square.
ROTAS
OPERA
TENET
AREPO
SATOR
The second form, known as the "SATOR Square," has
the word "SATOR" in the beginning, followed with the same words
"OPERA," "TENET," "AREPO" and its reverse “SATOR”
arranged in the same square pattern as in the ROTAS Square. The SATOR Square is
believed to have originated in ancient Rome and is associated with early
Christian and Gnostic symbolism. The SATOR square is thought to have been used
as a talisman for good luck and protection.
SATOR
AREPO
TENET
OPERA
ROTAS
Probable Origin of the SATOR Square
1. Pre-Christian: It has been suggested that the SATOR
Square may have pre-Christian origins, possibly related to pagan fertility
cults. However, there is little concrete evidence to support this theory.
2. Christian: The Christian interpretation of the SATOR Square is closely related to its use as a cryptogram. In Christian tradition, cryptograms are words or phrases that are written in a code or cipher, often as a means of concealing important religious or spiritual messages. The SATOR Square is often seen as a type of Christian cryptogram, with the word "SATOR" representing Jesus Christ.
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| Dura Europus 165 A.D. |
This interpretation is supported by the fact that the letters in the SATOR Square can be rearranged to spell out the phrase "PATER NOSTER", which is the Latin name for the Lord's Prayer. The Lord's Prayer is one of the most well-known and
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| Samson against the lion at Sant Orso Rome |
widely used prayers in Christianity, and it is traditionally attributed to Jesus Christ.
The connection between the SATOR Square and the Lord's
Prayer has been explored by many scholars, including Felix Grosser who first
showed the anagrammatic relationship between the two in 1926. The use of the
SATOR Square in early Christian contexts, such as churches and catacombs, also
suggests that it was seen as a significant symbol by early Christians.
3. Gnostic: Gnosticism was a religious movement that
originated in the early centuries of Christianity and was influenced by various
philosophies, religions, and cultures. One of the central beliefs of Gnosticism
was the idea that there is a secret knowledge, or gnosis, that allows a person
to escape the material world and achieve salvation.
The SATOR Square has been linked to Gnostic traditions
because some scholars believe that the word "SATOR" may have been a
Gnostic acronym. While the specific meaning of the acronym is unknown, it has
been suggested that it may represent one of their divine beings or concepts.
For example, the letter "N" in SATOR could represent the Holy Spirit
in some Gnostic systems, and the word "AREPO" may be derived from the
Egyptian god Horus, who was also known as Hr-Hp.
However, it should be noted that this theory is speculative
and there is no concrete evidence to support it. It is possible that the SATOR
Square was used in Gnostic circles, but it is also possible that it had a
completely different origin and was adopted by various groups over time.
4. Orphic: The Orphic religion was a mystery cult that existed in ancient Greece and was centered around the worship of the god Apollo. Its followers believed in the immortality of the soul and the idea that humans were trapped in a cycle of reincarnation. The SATOR Square has been linked to the Orphic tradition due to its use in their rituals and as a symbol of their beliefs.
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| Oppede, France |
Some scholars have suggested that the word "SATOR"
in the square may have been connected to the Orphic concept of the
"sower." The sower was a symbol of the divine, who was responsible
for sowing the seeds of life and death in the world. The plow, another symbol
in the square, was associated with the Orphic initiation rites and was thought
to represent the journey of the soul through life.
The connection between the SATOR Square and the Orphic
tradition may have been through the Eleusinian mysteries, a set of initiation
rites practiced in ancient Greece. These mysteries were closely tied to the
Orphic religion and were believed to offer the promise of an afterlife for
those who were initiated.
5. Mithraic: The Mithraic religion was a mystery cult that was popular in the Roman Empire in the first few centuries AD. The religion centered on the god Mithras, who was associated with the sun and was often depicted killing a bull. The SATOR Square has been found in Mithraic contexts, such as in the remains of Mithraic temples.
Walter Moeller, in his work "The Mithraic Origin and
Meanings of the ROTAS-SATOR Square," argued that the square has Mithraic
origins and represents the triad of Saturnus-Aion, Sol Invictus, and Mithras.
Moeller also suggested three possible connections between the SATOR Square and
the Mithraic belief system.
First, Moeller proposed that the meanings of the words in
the square support Mithraism. For example, the word "SATOR" could
refer to the god Saturnus, who was often associated with time and the harvest.
The word "TENET" could refer to the idea of Mithras holding the keys
to the universe.
Second, Moeller suggested that the square could be
deciphered through anagram to reveal hidden Mithraic meanings. For example, if
the letters of the square are rearranged, they spell "PATERNOSTER,"
which is the Latin for the Lord's Prayer. This could be seen as a reference to
the idea that Mithras was a mediator between the gods and humanity. He said,
"I think, however, that the father as saviour would have been more in
keeping with Mithraic thought than with Christian: Saturn, the father, was to
come again to establish his regnum; Christ, the son, will come again to
rule his.”
Third, Moeller used numerology to show that the word
"TENET" in the square has a numerological value of 666, which is
often associated with the devil in Christian tradition. However, it should be
noted that this calculation requires forcing the Latin 'E' which is ε
epsilon in Greek equivalent to become η eta.
T = 300
E = 8
N = 50
E = 8
T = 300
---
666
6. Local Italian: The SATOR Square has been found in a number of locations in Italy, which has led some scholars to suggest that it may have originated as a local Italian symbol or talisman. However, there is little evidence to support this theory.
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| Cirencester, England |
7. Jewish: MacGregor Mathers, in his book "The Key of
Solomon," suggested that the SATOR Square may have Jewish origins. He
pointed to the Second Pentacle of Saturn, which is a magical talisman found in
the grimoire "The Key of Solomon," and is inscribed with the SATOR
acrostic.
In Jewish mysticism, the planet Saturn is associated with
the sephirah Binah, which represents understanding and knowledge. The Second
Pentacle of Saturn is said to enhance one's understanding of complex ideas and
to aid in meditation and spiritual growth. The use of the SATOR Square in this
context may be seen as a way to harness the power of Saturn and to connect with
the divine wisdom associated with the sephirah Binah.
It should be noted that the origins of the SATOR Square in
Jewish mysticism are debated among scholars, and some argue that it is more
likely to have originated in other contexts such as Mithraism or Christianity.
Nonetheless, the use of the SATOR Square in the Second Pentacle of Saturn is an
example of how it has been incorporated into Jewish mystical traditions.
8. Pythagorean: The Pythagorean philosophy was a system of
beliefs founded by the ancient Greek philosopher Pythagoras. This philosophy
placed great emphasis on the role of mathematics and music in understanding the
world around us. The Pythagoreans believed that numbers and geometry were
fundamental to the universe, and that music was a reflection of the divine
harmony of the cosmos.
Some scholars have suggested that the SATOR Square may have
been used by the Pythagoreans as a symbol of their beliefs. The letters of the
SATOR Square can be arranged into a 5x5 grid, which has some mathematical
significance. The number 5 was important to the Pythagoreans, as it represented
the pentagram or five-pointed star, which they believed to be a symbol of
health and well-being.
Additionally, some have suggested that the word AREPO may have roots in Greek-Roman Egypt, where it was associated with the god of good luck, Harpon. This connection to Egyptian mythology could be significant for the Pythagoreans, who were known to have been influenced by the ancient Egyptian mystery schools.
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| The Great Arcanum |
9. Stoic: The Stoic philosophy was an ancient Greek system
of beliefs that focused on living in accordance with nature. Some have
suggested that the SATOR Square may have been used by the Stoics as a symbol of
their beliefs, as the word "SATOR" can be rearranged to spell
"rotas," which means "wheel" in Latin and may have been a
symbol of the Stoic belief in the cyclical nature of the universe.
10. Satanic: The association between the SATOR Square and
satanic or occult traditions is largely based on its use in certain esoteric
practices, as well as the presence of certain phrases or anagrams that invoke
Satan or suggest a connection to dark forces. The phrase "Satan, ter oro
te, opera praesto" which means "Satan, I pray to you thrice, be ready
for action” is one such example, as it is believed to be an anagram that can be
derived from the letters in the square.
However, it is important to note that not all
interpretations of the SATOR Square are associated with satanism or the occult.
While there may be some evidence to suggest a connection to certain esoteric
traditions, the symbol itself is open to a variety of interpretations and
meanings. As with any symbol or artifact, its meaning is largely shaped by the
context in which it is found and the beliefs of those who use or interpret it.
Throughout the Centuries
Throughout history, reports have surfaced of the SATOR
square being discovered in various locations. One of the earliest findings was
at Dura-Europus, a Roman military fortress, dating back to AD 165-256, and
conjectured to have been written by a Roman soldier. The square has also been
found in various manuscripts, including an Oxford Latin manuscript from the
13th century and a Munich manuscript from the 15th century.
Other significant discoveries include the SATOR square being
scratched on the marble above the chapel of St. Laurent in Rochemaure, France,
and incised on Roman wall-plaster at Cirencester, Gloucestershire, England in
1868. It has also been found in courthouses and churches across Europe, Africa,
and America, dating back as far as the 6th century.
One of the most intriguing discoveries of the SATOR square
was in Cappadocia during the reign of Byzantine emperor Constantine
Porphyogenitus. Here, the square was used in the decoration of a church
dedicated to the shepherds of the Nativity whose names were SATOR, AREPON, AND
TENETON. The square has also been associated with the three Magi ATOR, SATOR,
and PERAROTAS.
In Abyssinia, local inhabitants invoked Christ by the names
of the five nails of the cross: SADOR, ALADOR, DANET, ADERA, and RODAS. In
Coptic amulets, talismans from Egypt, Nubia, and Ethiopia, Ador Erman
discovered the names of the five wounds of Christ: SADOR, ARODA, DANAD, ADERA
RODAS. These talismans provide valuable insight into the beliefs and practices
of the people who created them.
Moving on to Faras Nubia, in AD 739, a prayer was inscribed
in a tomb alongside the five names of the nails of Christ. In the 9th century,
Codex 384 from Monte Cassino contained another interesting discovery. One of
the talismans was inscribed in the church of San Pietro all'Oratorio di
Capestrano, while another was written in the margin of a work found in Codex
I.4 of the Capitolare de Modena. Two papyrus, P.982 and P.8096, containing a
Greek version of the formula, date back to the 7th century.
Finally, the SATOR square appears in Icelandic myth,
revealing a fascinating connection between different cultures and their beliefs
in the power of talismans and amulets.
Scholars' Opinion and The Mystery of
AREPO
The SATOR Square has been the subject of much scholarly debate and interpretation over the centuries. One of the earliest scholars to study the SATOR Square was Kahler, who concluded that all of the words, with the exception of AREPO, were well-known Latin words. However, the meaning of AREPO has not been satisfactorily explained.
There have been many attempts to interpret the meaning of
AREPO, including interpreting it as a proper name, a corrupt or primitive Latin
substantive, initials or abbreviations, or a loan word from another language.
Many solutions in the past have been based on the assumption that since every
other word in the square has a recognizable meaning when read forwards or
backwards, AREPO should be as meaningful as its palindrome OPERA.
One interpretation of the SATOR Square is that it is a
reference to the Lord's Prayer and to the Alpha and Omega. This interpretation
was proposed by Felix Grosser. Another interpretation of the SATOR Square is
that it is an invocation to Satan. This interpretation was proposed by H.
Fritsch, who rearranged the letters in the square to find the phrase "Satan
oro te pro arte, a te spero."
Duncan Fishwick proposed that the rearrangement of the
letters in the SATOR Square led to anagrams ranging from pious prayers to
diabolic incantations. However, it was not until later rearrangements of the
letters that the SATOR Square gained general acceptance by reputable scholars.
Despite the many interpretations and opinions surrounding the SATOR Square, its
true meaning and purpose remain a mystery.
The Many Uses of The SATOR Square
Throughout the Centuries
The SATOR square is a palindrome that has been used for many
purposes throughout history. One of its most notable uses is as a charm against
the bite of a mad dog or rabid animal, a practice that has been observed in
various cultures around the world. Additionally, the SATOR square has been used
as a cure for toothaches, with the letters of the acrostic written in butter or
on a piece of bread and then eaten in the hope of expelling the sickness.
Another interesting use of the SATOR square is as a means of
extinguishing fires. The acrostic was believed to have the power to quell
flames when written on a disk and thrown into the fire. This is preserved in the book of Albertus Magnus. Similarly, it has been
used as a charm against fever and to protect against the bite of a mad dog. In
fact, the natives of the northern provinces of Brazil have used it to protect
against and heal snake bites.
W. Schwartz suggests that the double meaning of a formula
like the SATOR acrostic could serve the purpose of calling up spirits, and then
when said backwards, of banishing them again. He cites numerous examples from
Latin poetry, especially spells to call up the wind and lightning and evil
spirits.
The SATOR square has also been used to awaken love or to
obtain favor, and to protect cattle against witchcraft. In Bosnia, it has been
used as a cure for headaches and hydrophobia, while in Iceland it has been
scratched on the fingernails of patients as a cure for jaundice. It has been
used throughout South America as a cure for dog bites and snake bites.
In the Allegheny Mountains, Germany, and eastern United
States, the SATOR square has been used to prevent fires, stop fits, and prevent
miscarriages. It has been used as a febrifuge by the ancient Gauls and to cure
fever and insanity. In fact, a citizen of Lyons is said to have recovered from
insanity after eating three crusts of bread, each inscribed with the magic
square, reciting five Pater Nosters, five wounds of Christ, and the five nails
of the cross.
The SATOR square has been used as a charm to ward off evil
or illness and to prove whether a person was a witch or not. It has been used
against poisonous air, pestilence, and sorcery. In Brazil, it has been used for
dog bites and snake bites, written on a slip of paper and then rolled in the
form of a pill and given to the patient as soon as possible after the person
(or animal) has been bitten.
The versatility of the SATOR square is astounding, with its
uses ranging from preventing fires to curing toothaches, rabies, and vertigo.
Women in the 16th century even wore a parchment around their neck inscribed
with the SATOR square to cure eye maladies. It has been used as a cure for
childbirth and even as a cure for rabies, with a rye flour cookie containing
the heart, liver, and spleen of the dog that had bitten someone pressed with
the SATOR square and then eaten by the bitten person. The wound is also
cauterized for added protection. To cure vertigo, one can take a copy of the
square and add various herbs and marine plants, sealing them in a leather bag.
Latin Anagrams of the SATOR Square
The Latin anagram of the SATOR square is an intriguing
puzzle that has fascinated people for centuries.
The anagram consists of five words: "SATOR,"
"AREPO," "TENET," "OPERA," and "ROTAS."
The meaning of these words is unclear, but there have been many theories
proposed over the years.
One popular theory is that the anagram was used as a magical
incantation or amulet to ward off evil spirits. This theory is based on the
fact that the words can be read in several different directions, including
backward and upside down, which would make it difficult for a demon to read and
therefore nullify its power.
Another theory is that the anagram was used by early
Christians as a secret code or symbol. The word "SATOR" has been
interpreted as a reference to the word "Savior," while
"AREPO" has been linked to the Greek word "arpax," which
means "snatcher" or "thief." According to this theory, the
anagram was a way for early Christians to communicate with each other in secret
without being detected by the authorities.
The SATOR square has many possible anagrams.
Some possible anagrams include:
PATER NOSTER OPERA TENET AROST (which means "Our Father
holds the plow" in Latin)
A ROSETTA STONE PATERN OPERA (which doesn't have a clear
meaning but contains the word "Rosetta Stone," which is an important
artifact for deciphering ancient languages)
PORTA EST OPERA TENET ARS (which means "The gate is
holding the work of art" in Latin)
There are many other possible anagrams, and their meanings
may vary depending on the words used and the language in which they are
written. Here are possible anagrams for the letters in "SATOR AREPO TENET
OPERA ROTAS". It's important to note that not all of these permutations
will form meaningful words or phrases in Latin or any other language, and some
may require slight modifications to be grammatically and semantically valid.
TOT OPERA ARS ET TENET PATER NOSTER (which means "All
works of art and the Our Father hold" in Latin)
ATTRAPOS NOSTER PATER TENET OPERA (which means "Our
Father Attrapos holds the works" in Latin, where "Attrapos" or “Atropos”
is a mythical figure associated with fate and death)
PARS OPERA TENET ET EST ORATIO (which means "The part
holds the works and is a prayer" in Latin)
POTENS OPERA TENET EROS ATRA (which doesn't have a clear
meaning, but contains the word "eros," which is the Greek god of
love)
EST OPERA TENET ATRO PATER SONOR (which doesn't have a clear
meaning, but contains the words "atro" and "sonor," which
mean "dark" and "sound" in Latin)
ROSA TENET OPERA ET PATER ORAT (which means "The rose
holds the works and the father prays" in Latin)
PARO OPERA TENET ET SONAT ARS (which means "I prepare
the works, and the art sounds" in Latin)
TOT OPERA TENET ET PATET ARS (which means "All works
are held and the art is revealed" in Latin)
PARS OPERA EST TENET ATRO SONO (which means "The part
that is the work is held by the dark sound" in Latin)
ASPERATE PATER TENET OPERA SONO (which doesn't have a clear
meaning, but contains the word "asperate," which means
"rough" or "harsh" in Latin, and "sono," which
means "sound").
PATER TENET OPERA ET SATOR ARDET (which means "The
father holds the works and the sower burns" in Latin)
PATER OPERA SONAT ET TENET ATRO (which means "The
father plays the works and holds the dark" in Latin)
ROTAS OPERA TENET ET ASTRA PETOR (which doesn't have a clear
meaning, but contains the words "rotas" and "petor," which
mean "wheels" and "I seek" in Latin)
SENOR PATER ET TENET OPERA ASTRA (which means "Lord
Father holds the works and stars" in Spanish)
PATENS OPERA TENET ET ARS ORATO (which means "The open
work holds and the art prays" in Latin)
PARES OPERA TENET ET STATER ARTO (which doesn't have a clear
meaning, but contains the words "pares" and "stater," which
mean "pairs" and "I establish" in Latin)
OPES PATENT TENET ET ROTA ASTRO (which doesn't have a clear
meaning, but contains the words "opes" and "rota," which
mean "riches" and "wheel" in Latin)
PATER SONAT OPERA ET TENET ASTRA (which means "The
father plays the works and holds the stars" in Latin)
POTENS OPERA TENET ET ORAT PATER (which means "The
powerful work holds and the father prays" in Latin)
SENATOR PATET OPERA ET TENET ROTA (which means "The
senator reveals the works and holds the wheel" in Latin).
However, the SATOR square contains only eight unique
letters: A, E, O, P, R, N, S, and T. Using all 8 letters there are 40,320 possible
permutations of those letters. Here are just a few examples:
atonersp
antepros
personat
notepars
sapronet
tonepars
respanto
sorapten
patrones
pronates
And so on.
After permutating the letters some of the resulting
permutations can form Latin words, while others may not. Here are a few
examples of Latin words that can be formed from the eight letters.
Paternos - meaning "paternal" or "of a
father"
Persona - meaning "person" or
"character"
Notares - meaning "you may mark" or "you may
observe"
Responte - meaning "answer" or "reply"
Potens - meaning "able" or "powerful"
Patroen - meaning "client" or "patron"
It's worth noting that there may be other Latin words that
can be formed from these letters, and some of the above words may not be common
or frequently used in modern Latin. For example, "pronates" is the
third person singular present tense of the Latin verb "pronare,"
which means "to bend forward" or "to bow down."
“PATERNOS” is "PATRIKOS"
In Latin Cabala from Walter Begley the word “paternos” has
the gematrial value of
P A T E R N O S
14 1 18 5 16 12 13 17 = 96
If we add the word ‘ter”
P A T E R N O S T E R
14 1 18 5 16 12 13 17 18 5 16 = 135
However, since "paternos" is a Latin word and not
a Greek word, it would not have a numerical value in the Greek Qabalah/Gematria
system.
The Greek equivalent of "paternos" would be
πατρικός (patrikos), which is derived from the Greek word for
"father" (πατήρ, pater). "Patrikos" is an adjective that
can be translated as "paternal," "fatherly," or
"related to one's father."
In the Greek Qabalah, also known as Gematria, each letter of
the Greek alphabet has a numerical value. The value of πατρικός (patrikos) in
Greek Gematria can be calculated by adding together the numerical values of its
individual letters:
π (pi) = 80
α (alpha) = 1
τ (tau) = 300
ρ (rho) = 100
ι (iota) = 10
κ (kappa) = 20
ό (omicron) = 70
ς (final sigma) = 200
Adding these values together gives us a total of 781.
Therefore, the Qabalah/Gematria value of "patrikos" in Greek would be
781. This is the same gematria for σοφία, Sophia, which means
“Wisdom.”
The word "patrikos" (πατρικός) does appear in the
New Testament of the Christian Bible, specifically in the Gospel of Luke 2:4,
where it describes the town of Bethlehem as the "city of David, which is
called Bethlehem, because he was of the house and family of David" in the
Greek text: "πόλις Δαυίδ, ἥτις καλεῖται Βηθλέεμ, ὅτι ἐκ οἴκου καὶ πατριᾶς
Δαυὶδ ἦν" (polis Dauid, hētis kaleitai Bēthleem, hoti ek oikou kai patrias
Dauid ēn). The word "patrikos" is derived from "patria,"
which means "family," so it is used here to describe David's family
lineage.
There are several other examples of the word
"patrikos" appearing in the New Testament. Here are a few:
2 Timothy 1:3: "I thank God, whom I serve with a pure
conscience, as my forefathers did, as without ceasing I remember you in my
prayers night and day." The Greek word translated as
"forefathers" here is "progonoi," which is related to the
word "patrikos."
Acts 22:3: "I am indeed a Jew, born in Tarsus of
Cilicia, but brought up in this city at the feet of Gamaliel, taught according
to the strictness of our fathers' law, and was zealous toward God as you all
are today." The phrase "our fathers' law" is translated from the
Greek "tōn patrikōn hēmōn nomōn," which refers to the Jewish law
inherited from one's ancestors.
Luke 1:27: "To a virgin pledged to be married to a man
whose name was Joseph, of the house of David. The virgin's name was Mary."
The phrase "of the house of David" is translated from the Greek
"ek oikou Dauid," which is similar to the phrase "ek oikou kai
patrias Dauid" mentioned earlier, and also refers to a family lineage.
In Strong’s Concordance we have the entry
3967. patrikos
Strong's Concordance
patrikos: paternal, ancestral
Original Word: πατρικός, ή, όν
Part of
Speech: Adjective
Transliteration: patrikos
Phonetic
Spelling: (pat-ree-kos')
Definition: paternal, ancestral
Usage: ancestral, paternal, belonging to the fathers (ancestors).
Englishman's Concordance
Galatians
1:14 Adj-GMP
GRK: ὑπάρχων τῶν πατρικῶν μου παραδόσεων
NAS: zealous for my
ancestral traditions.
KJV: of
the traditions of my fathers.
INT: being of the fathers of me
for [the] traditions
Strong's Greek 3967
1 Occurrence
NAS Exhaustive Concordance
Word Origin
from patér
Definition
paternal, ancestral
NASB
Translation
ancestral (1).
Thayer's Greek Lexicon
STRONGS NT 3967: πατρικός
πατρικός, πατρική, πατρικόν (πατήρ),paternal, ancestral, equivalent to handed down by or
received from one's fathers: Galatians
1:14. (Thucydides, Xenophon, Plato, and following; the Sept.)
(Synonym: see πατροως, at the end.)
Strong's Exhaustive Concordance
paternal
From pater; paternal, i.e. Ancestral -- of fathers.
see GREEK pater
Forms and Transliterations
πάτρια πατρική πατρικήν πατρικόν πατρικων πατρικών πατρικῶν patrikon patrikôn patrikōn patrikō̂n
“Ter PATERNOS”
The use of "ter" in Latin is an interesting aspect
of the language, as it allows for the expression of repetition and
multiplication in a concise manner. For example, "ter centum" means
"three hundred," as in "three times one hundred." This type
of construction is used in many different contexts, including mathematics,
literature, and everyday speech.
When combined with other Latin words, "ter" can
take on new meanings and nuances. For instance, "tertius" means
"third," indicating a position in a sequence or hierarchy. Similarly,
"tertiare" means "to try for the third time," suggesting a
persistent or tenacious effort.
The phrase "ter paternos" combines "ter"
with "paternos," which is the plural form of the adjective
"paternus," meaning "of the father." The phrase can be
interpreted in several ways, depending on the context. If we assume that
"paternos" refers to the masculine plural "paterni," then
"ter paternos" would mean "three times of the fathers,"
implying some kind of repetition or multiplication of paternal influence or
authority.
In a religious context, the phrase "ter paternos"
might be interpreted as a reference to the Christian doctrine of the Trinity,
which holds that there is one God in three persons: the Father, the Son, and
the Holy Spirit. In this case, "ter paternos" could be understood as
"thrice the Father," suggesting a repetition or multiplication of the
divine paternal presence, like the thrice great Hermes.
In its usual form, as "paternoster" which is a
Latin word that literally means "Our Father." It is most commonly
used to refer to the Lord's Prayer, which begins with the words "Pater
noster, qui es in caelis..." (Our Father, who art in heaven...). The term
"Paternoster" can also refer to a type of prayer bead or rosary used
in some Christian traditions to count repetitions of the Lord's Prayer.
Overall, the use of "ter" in Latin is a flexible and versatile tool for expressing concepts of repetition, multiplication, and ordinality. When combined with other words, it can create a range of meanings and shades of nuance, making it a valuable tool for writers and speakers in many different contexts.
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| SATOR CORONADOS |
More Latin Anagrams
1. Petro et reo patet rosa Sarona (The rose of Sarona is
open to both Peter and the defendant.
2. Ero ante portas, ero ante portas (I will be before the
gates, I will be before the gates.)
3. Orare nostrae opoteat stare (It is necessary to stand and
pray.)
4. Arte optate ornare posse orta (To be able to decorate
with desired art that which has arisen.)
5. A se optat orare; O pater noster (He himself wishes to
pray; O our Father.)
6. Persona e torto aere parata est (The character is
prepared from twisted copper.)
7. Optatore orante portares aes.( You carried the copper,
wishing for it to be prayed for)
8. oratores se apte orare optant (The orators wish to pray
aptly.)
9. Ore torta aperta sonare potes (With twisted lips, you are
able to make a sound.)
10. Tantopere potes orare optant (They greatly desire for
you to be able to pray.)
11. Ora, Nestor, pro postera aetate. (Pray, Nestor, for the
coming age.)
12. Ante portas eat o pereat soror. (Let the sister go
before the gates or perish.)
13. O apostata, poena retro terres. (O apostate, you are
frightened by the punishment behind you.)
14. Retro Satana totopere asper. (Satan is so harshly
backwards.)
15. Oro te Pater, oro te Pater, sanas. (I pray to you,
Father, I pray to you, Father, heal)
16. O Pater ores pro aetate nostra. (O Father, pray for our
age.)
17. Ora, operare, ostenta te Pastor. (Pray, act, show
yourself, Shepherd.)
18. Satan, ter oro te, opera praesto. (Satan, I pray to you
three times, be ready to act.)
19. Satan, oro te, reo portas patere. (Satan, I pray to you,
open the gates to the defendant.)
20. Satan, ter oro te, reparato opes. (Satan, I pray to you
three times, restore the wealth.)
21.Satan, pater, oro stare te pro eo. (Satan, Father, I pray
for you to stand for it.)
22. Satan, pereo apro, restat oro te. (Satan, I am lost, it
remains for me to pray to you.)
23. Satan, oro te et appare e rostro. (Satan, I pray to you and appear from the beak.)
From the book En Esto Creo (In This I Believe)
According to the book En Esto Creo (In This I Believe), the SATOR square has a fascinating origin story rooted in the resurrection of Jesus Christ. In Mark 16:6, as the apostles and disciples entered the tomb and saw the young man sitting on the right side, clothed in a white robe, they were utterly amazed. The young man spoke to them, revealing that Jesus of Nazareth, the crucified, had risen from the dead and was not in the tomb. The young man then pointed to the PATERNOSTER cross on the cave wall, which had the double AO for the title Alpha and Omega. This is hinted by the angel's words, “Jesus of Nazareth, the crucified.”
He said to them,
"Do not be amazed! You seek Jesus of Nazareth, the crucified. He has been
raised; he is not here. Behold the place where they laid him. (Mark 16:6)
The
PATERNOSTER cross is a powerful symbol that represents not only Jesus but his
name itself. The cross shape is called the tau, which is the shape of the cross
upon which Jesus was crucified. Interestingly, the Hebrew word for savior
translates to Joshua, which in turn translates to Jesus in Greek. Therefore,
the shape of the crucifix is not just a symbol of Jesus, but it is his name
itself.
…the
‘tau’ and it is shape of cross upon which Jesus was crucified…” the cross
carried one very precise meaning- ‘savior’, which translates to the Hebrew
‘Joshua’, which in turn translates in Greek to ‘Jesus’. In short, the shape of
the crucifix is not symbol of Jesus; it is his name itself. (The Hiram Key, p.
316. Knight & Lomas. Arrow Books, 1997.)
The author
of En Esto Creo suggests that the first disciples and apostles scrambled the
letters of the SATOR square to make it a code for those who believed in the
risen Jesus Christ. This was done to avoid persecution, especially during the
time of Emperor Nero, who hated the Christians. Anagram or temurah is
one of the three Jewish secret arts to conceal wisdom and is part of what is
called Kabbalah. The fact that Jewish Christians knew this art was stated in
the work by Minucius Felix.
In 165, the Latin apologist Minucius Felix quotes a non-Christian as saying that Christians recognize each other by ‘secret symbols and signs [occultis se notis et insignibus noscunt]’. (The Quest for the True Cross, p. 16. Carsten Thiede & Matthew D’Ancona. 2000)
In the Greek interlinear the word for crucified in Mark 16:6
is ἐσταυρωμένον (estaurōmenon) which means, “having been crucified.” In the
sense of “crucified” as indicated in the Mark passage above, it is ἐσταυρωμένος
(estaurōmenos). But the root word is either
a. Strong's Concordance
stauros: an upright stake, hence a cross (the Rom.
instrument of crucifixion)
Original Word: σταυρός, οῦ, ὁ
Part of
Speech: Noun, Masculine
Transliteration: stauros
Phonetic
Spelling: (stow-ros')
Definition: an upright stake, a cross (the Rom. instrument of crucifixion)
Usage: a cross.
b. Strong's Concordance
stauroó: to fence with stakes, to crucify
Original Word: σταυρόω
Part of
Speech: Verb
Transliteration: stauroó
Phonetic
Spelling: (stow-ro'-o)
Definition: to fence with stakes, to crucify
Usage: I fix to the cross, crucify; fig: I destroy, mortify.
The word SATOR is a clever abbreviation of STAuROs or
STAuROo, which is what is implied in the phrase "JESUS OF NAZARETH, THE
CRUCIFIED." These words function as a rebus, and as a result, the cross
form of PATERNOSTER as found by Grosser and others.
The mystery of AREPO lies in the fact that the letters AO
were written beside the PATERNOSTER cross, representing the Alpha Omega. This
is the same title given to YHWH in the Old Testament, as seen in Isaiah 44:6,
where it says,
This is AO. But what does REP in AREPO stand for? Using the
Caesar Cipher with Key 18, REP becomes JWH or YWH, the three letters from the
name of the famous tetragrammaton YHWH. This is the sense of the above passage
which says YWH A, YWH O, which is YWH AO, hence, AREPO.
It is important to note that in Rev. 2:8, Rev. 1:8, and Rev.
22:13, Jesus claimed,
Some have even
claimed that YHWH is also Jesus, but this is due to a misunderstanding of the
true meaning of the word "God." For a more in-depth discussion on
this topic, please refer to the book
The word "TENET" forms a cross, with the letter
"N" at its center. From the square, we can observe the Greek word
"PETRA," which translates to "rock." It is important to
note that this term does not refer to Peter the apostle, as the Greek word used
for him is "Petros," meaning "a stone" or "a
boulder." Original
Word: Πέτρος.
"Is there a God or any Rock besides me?" (Isaiah 44:8)
It is fascinating to consider the symbolism behind the
formation of the word "TENET" and its connection to the concept of a
rock. The cross, a powerful symbol in Christianity, is formed by the letters of
the word, with the "N" at its center, perhaps representing the idea
of a strong foundation or core belief. The use of the word "PETRA"
further emphasizes this notion, as a rock is a solid and unyielding object that
can provide stability and support.
Overall, this observation highlights the intricate and
meaningful nature of language and its ability to convey complex ideas and
concepts.
SATOR
AREPO
TENET
OPERA
ROTAS
It is widely known that the anagram for the name
"petra" is "pater," which translates to "father."
However, it is important to note that the Jews who sought to distort the
identity of Jesus, such as Celsus, corrupted the word "pater" to
"pantera," resulting in the false claim that Jesus was the son of a
man named Pantera.
If we examine the true meaning of "pater," we can
see that it refers to Jesus as the son of the father. This is significant
because it aligns with the name of Jesus Barabbas, which means "Jesus, son
of Father." The other Jesus as depicted by the gospel authors was the
reluctant messiah, the soft-spoken messiah who remained silent from Pilate’s
questioning: the Messiah who even questioned the messiah’s Davidic line of
descent. This is the twin Jesus, the pawn after Jesus Barabbas was captured. Why
would Judas betray Jesus with a kiss?
Whomever I kiss, He is the one; (Mark 14:44)
When he was every day in the temple preaching.
Every
day I was with you in the temple teaching. (Mark 14:49)
Why would Judas betray Jesus with a twin?
Furthermore, in our previous discussions on En Esto Creo (In
This I Believe), we explored the significance of the letter N. In the Greek
Qabala, each letter of the Greek alphabet corresponds to zodiacal signs and
parts of the human body. The letter N specifically corresponds to the feet,
which were the prominent part of the crucifixion, and ultimately, the cross.
By understanding these linguistic and symbolic connections,
we can gain a deeper understanding of the significance of Jesus and his role in
history.
In Philippine Grimoire
The Filipino occult book "Ang Apat na Sulok ng Daigidig" reveals a secret history of creation. According to the author, before the universe was created, the Ancient Power created 36 spirits. Out of these spirits, He chose five to assist Him in the creation process. These five spirits were given names that sealed the four directions of the Universe and guarded the center, around which all four directions moved.
The Ancient Power himself baptized these spirits, and they are known as SATOR, AREPO, TENET, OPERA, and ROTAS. SATOR guards the East and is also known as the King of the East. AREPO is the administrator of the West, while TENET represents the Center. OPERA is the King of the North, and ROTAS is the King of the South.
These four directions have been known in various cultures and civilizations since ancient times and are remembered by Man as the Four Corners. They represent the Code 4, which is significant in many aspects of life.
This fascinating account of creation and the spirits that guard
the four directions is a testament to the rich cultural heritage of the
Philippines. It provides a glimpse into the beliefs and practices of the people
and their connection to the universe. The story of SATOR, AREPO, TENET, OPERA,
and ROTAS is a captivating one that continues to intrigue and inspire people
around the world.
The
Four Corners of the World
We
find many allusions to “four Regents of the four corners of the earth”, to “the
Rulers of the North, South, East and West”, ad to “four winds or forces of
earth”. These “Rulers” or “Regents”, we are told, are four great Angels or
Devas who act as Agents of God, and not only manipulate great cosmic forces,
but also carry out His laws of justice in the minutest detail in the races of
men. In eastern esoteric philosophy they have been called the “Lords of Karma”,
who administer the laws the laws of the cause and effect, of action and
reaction, on every human level. They are the “four beasts before the throne” in
the Book of revelation, “full of eyes within; and they rest not day and night”.
The Church refers to them as the “Recording Angels” who record the thoughts and
deeds of men and of nations in the “Book of Life”. This description of course
implies that nothing is too great or too small or yet too hidden to escape
their eternal vigilance. (Arthur M. Coon, The Theosophical Seal)
On the Kabbalistic Gematria of SATOR
The PATERNOSTER cross, also known as the SATOR square, is a
powerful symbol of the Christian faith that has been passed down through the
ages from the first disciples to the present day. The cross is a rebus, a
puzzle that uses pictures and symbols to represent words or phrases, and it is
believed to be the seal of the Risen Christ. The rebus has been etched into
walls, altars, and pages of the Bible, and has been used for magical cures, as
a talisman or for protection. Its presence is seen throughout history, from the
early apostolic fathers to the Knights Templar who kept the faith alive and
used the initials of the rebus in the form of C. S. P. B. as a reminder of
their mission to protect the Church. The PATERNOSTER cross is Christ Himself
speaking in signs and symbols, and its significance lies in its message of hope
and salvation. The sign of the Risen Christ that the angel showed to the first
disciples is the same sign that conveys the most important secret of all: the
sign or code for the Second Coming of Christ.
Behold,
I have told it to you beforehand. So if they say to you, 'He is in the desert,'
do not go out there; if they say, 'He is in the inner rooms,' do not believe
it. For just as lightning comes from the east and is seen as far as the west,
so will the coming of the Son of Man be. Wherever the corpse is, there the
vultures will gather. (Matthew 24: 25-28)
Because
The PATERNOSTER cross and its significance as a symbol of
the Risen Christ has been passed down through generations of Christians, but
over time, the true meaning of this powerful symbol seems to have been lost.
Even those who were believed to be its keepers, such as the Knights Templar,
may have only possessed a partial understanding of its importance.
This mysterious quality of the PATERNOSTER cross has also
been seen in the case of the Third Secret of Fatima. In 1917, the Virgin Mary
is said to have appeared to three young children in Fatima, Portugal, and
shared three secrets with them. The first two secrets were revealed shortly
after the apparitions, but the third was kept secret by Lucia, one of the
children, until she was instructed by the Virgin Mary to reveal it in 1960.
However, Lucia requested that the sealed envelope containing the secret only be
opened either after her death or in 1960, "whichever came
first." The true nature of this secret remains a topic of debate and
speculation among scholars and believers, but some have suggested that it may
hold the key to unlocking the true meaning of the PATERNOSTER cross and its
significance in the Second Coming of Christ.
7
1
7 =
1
2
6 = 7
5
9
52 = 7 1 2 5 9 5 6
1 2 5 9 = 52
6
1
7 =
1 2
6 = 7
5
9
——— ——— ———- ——— ——————
66 2 52
12
66
66 = APRIL SEVENTEEN
66 = NINETEEN SIXTY
66 + 2 = 68 = RUBEN BURAY ECLEO
52 = DINAGAT ISLAND
1 & 6 = 16 = NEWS = 7
66 + 66 = 132 = 113 + 19
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Our
tribe for generation has passed millennium lives, yet many know not how. When
the Lord Almighty God bestowed change, He accepted death to save the world and
for the sake to preserve His siblings, people, and His tribe…for all the time
is His that He can live back to life again with any man, in any name, and in
different milieu of character in the same continuums…What the world should know is
that for many times, people have been saved; for in this world, a man who knows
and sees the Lord God, man to man and face to face, man will die because men
are sinners. Thus, by His death, God changes His name. -Grand Master Ruben B.
Ecleo, Jr. (1960-2021) May 8, 2000
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